31/15
Maria Callas, the greatest opera singer in the world, lives the last days of her life in Paris in the 1970s, facing her personality and life. Angelina Jolie and director Pablo Larraín discuss how they relate to the heartbreaking true story of the world-famous opera singer Maria Callas.. The third and final film in the so-called Pablo Larraín film. “Lady on heels”; a trilogy of female biopics based on Jackie (2016) and Spencer (2021). Maria Kallas: Book me a table in a cafe where the waiters know who I am. I am attuned to flattery. It is mentioned in “Close-up: Why do we need the Venice Film Festival?” (2024). Act 4 Othello: “Ave Maria” (Desdemona) Performed by Maria Kallas, Orchestra of the Concert Society of the Conservatory. Conductor: Nicola Resquinho. Authors of the scenario Giuseppe Verdi, Arrigo Boito. Released by Warner Classics, (p) 1964. Parlophone Records LimitedRemastered 2014 Parlophone Records. Limited right granted by Warner Music Group Germany Holding GmbH, a Warner Music Group company. I’m sure this movie was made with great care and love, BUT what it lacked the most, in my opinion, was BREATHING. Opera singers learn to control their breathing to charm us. And I agree with other, less favorable reviews, that the first scene was really a bad example of backing vocals, especially because I couldn’t see Miss Jolie breathing! Of course, La Callas lived a glamorous life, but it seemed to me that the focus was more directed. to the visual in this film. This is a film that made me stop watching it until the end, and I’m very sorry for it. I also had high hopes for these two iconic women. “One hundred years of loneliness”; — one of the biggest TV and streaming premieres this month. See details in our December calendar!